Helmed by Bristol sound co-founder Geoff Barrow, this sharp-edged if slight debut feature casts a critical gaze on 90s rave culture. Venal pillhead David (the actor) first robs an unconscious dealer, then in a later recollection tries to burgle his own family home. Before you can say, he's overturned in the wreckage of his car in a forest – and subject to the wrathful eye of the Woodsman (vocalist Jason Williamson). Declining to free David, with no time for townies, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”
A Shaky Start and Darkly Funny Confrontation
The film begins uncertainly, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the rave-era youth were mainly focused on number one – is firmly made. But these vignettes are too thin to properly prime us for what to expect when the Poacher arrives, enraged after David strangles his dog. Nevertheless, a grimly amusing duel takes hold – David desperate to escape; the Poacher denying his container of cider, intent on dousing him instead in embittered discourse. Williamson, projecting heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Music Video Vibe
There is only one key story turn, but it leads to a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton at last unleashes with his ostentatious visuals: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic 21-gun salute, accompanied by a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an extended promo than a fully fledged drama, but there’s enough bold visuals to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into making the leap from the Brit music promo scene.
Game releases in UK and Irish theaters from November 17.
